Re: Fugees The Score

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"The military jeep at the entrance is the only overt clue the old factory is not what it seems. You could pass its unassuming walls everyday and remain unaware that hundreds of people live in purgatory within. The guards are to prevent unwanted visitors, and its refugee residents can leave whenever they want of course. However with international borders closed and the world looking at its feet, calling the camp anything but a prison feels like a semantic slight of hand. Among the scrubland pocked with industrial detritus, hope is a fragile thing, as insubstantial and difficult to grasp as the whirling dust clouds that whip across the hard, ocre dirt.

The camp I visited lies just outside Thessaloniki in northern Greece, but this scene is repeated again and again across Europe. Images of sprawling tent cities that populate peoples’ conceptions of refugees camps do exist: mostly at the entry points to the continent – Greek islands, Italy, increasingly Spain. Camps are more often are hidden away though, in warehouses, abandoned factories or stacked containers in remote border villages. Out if sight, out of mind...."

See: FRe: Fugees The Score (by Jan Piotrowsk) (fourmillionstepsblog, link)

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